Skip to main content

Day Two Hundred Forty Seven (Year Two)

Okay, so here it is.  At long last, the rundown of my Exclusive Purchases.

1) Turbo Ocho - Roger Clyne & The Peacemakers
2) Sonoran Hope & Madness - Roger Clyne & The Peacemakers
3) Make Your Mama Proud - Fastball
4) Arrow - Heartless Bastards
5) Straightaways - Son Volt
6) Live In Skowhegan - Grace Potter & The Nocturnals

and finally...

7) Dog Problems - The Format

Okay, so I know that last one was my order from work that they had cancelled, but when I re-ordered it, the disc showed up in like, two days, so that's awesome!

The Fastball record is (I think) an early indie release, so that's cool too.  Especially considering that I met Miles Zuniga last year at a concert in DSM.

The Roger Clyne stuff is just plain old hard to find... but I loved his old band, The Refreshments, so I was definitely grabbing those two records.

The Son Volt, I thought was out of print, and it was one of theirs I didn't have.

The Heartless Bastards record I took a bit of a flier on, but I've heard spectacular things about it, so I'm feeling pretty good there.

And the Grace Potter???  Well, she's just amazing.... soooooo.... all told, a pretty good haul, if I don't say so myself.

Comments

Popular posts from this blog

Day Two Hundred Twenty Seven (Year Two)

So, the new Springsteen disc is amazing.  There's enough of a mixture of his upbeat rockers, his ballads, and his message songs to make this his best record since The Rising .  And speaking of that record... Buying The Boss the day it comes out always takes me back to a specific moment in life.  It was July 30th, 2002, the year after 9/11, the year after someone on the streets of New York told Springsteen "we need you now."  I had driven to Oshkosh, WI to visit some friends, when I remembered that Springsteen's disc was scheduled to come out that day.  I drove downtown to The Exclusive Company, but had to park a few blocks back.  At the time, there wasn't much going on downtown, but when I got out of the car, I could hear this music coming from up the block somewhere.  The closer I got to Exclusive, the more it began to dawn on me, they had set up a giant set of speakers in their upstairs windows, and were blasting the new album out into the streets. I wasn

Day Two Hundred Twenty Six (Year Four)

So I dove back into 100 Riffs tonight, going into it with the hope that the hand written tabs I did last night would help me unlock the issue I was having transitioning from the first half of the riff to the second half.  It worked.  With both halves clearly written in front of me, I was able to work through the transition that had been tripping me up when the screen cut off was happening on SoundSlice.  That's going to be a nice thing to have in my bag of tricks for the times when I get stumped figuring these things out. I played a little bit of acoustic tonight as well, trying to be better about finding the balance between both instruments.  Late 90's-early 2000's rock has come up a lot in conversations at work of late, so in that spirit, I picked a song from that time period out of my set list notebook ("Your Winter" by Sister Hazel), and took a quick look at it.  Admittedly, it's a song I had mostly learned a long time ago, so the essential parts of it w

Day Two Hundred Thirteen (Year Five)

Finally!  A really good day.  And one that I really needed after the frustration with the rest of the weekend. I took a step back from a few things today, and got what I hope will be a bit of clarity in the process.  Instead of worrying about the progress I really haven't been making on the EP, I told myself that I needed to be happy with the few bits of lyric I stumbled across today, and that maybe I needed to focus my attention elsewhere, at least for today. I had picked up a really cool book on music theory as it applies to guitar last Tuesday when I was out and about, and having spent a little bit of time paging through it over the last few days, I focused in on it tonight and started reading, taking notes, and reinforcing some things.  It felt like progress.  It was great. When I had worked through some of that, I moved on to the whole "100 Riffs" thing, and got myself moving on that again.  It's astounding how much I can get inside my own head and grind to