Skip to main content

Day One Hundred Forty Seven (Year Four)

I feel like I got back into the flow of things in the studio a little bit tonight, and I did it with the acoustic in my hands for a change.  It was nice to sit down with one of those, and not feel the pressure to try and write something new.  I'll admit something (again) in this space: I don't play enough acoustic.  It felt good to open up my calluses a little bit.  To do so in an initial effort to figure out some songs that might make it into a set list sometime next year made it even more fun.

"Let Her Go," by Passenger got learned tonight.  The first place I heard that song was on an episode of The Voice this season, and it's a wonderful, subtle song.  The two things about it that were cool to me tonight were the fact that it's capoed high up the neck (7th fret), and that it uses a simple, repeating chord progression.  Once again, the song proves that, with all of the time and effort we put into finding fancy sounding chords for our writing efforts, sometimes simple and direct really does win out in the end.

Other songs that got worked on tonight were "Deep, Dark, Truthful Mirror" by Elvis Costello, "Pancho & Lefty," originally by Townes Van Zant (I worked on a version by Jason Isbell), and "Wagon Wheel" by Old Crow Medicine Show.

Country and Folk have been taking up a larger portion of my listening lately.  It's mostly involved with the storytelling, I think.

Tomorrow, I'm hoping to delve at least a little bit into the pile of new music that came home with us from Wisconsin.  I'd also like to keep up with the acoustic stuff.
Labels:

Comments

Post a Comment

Popular posts from this blog

Day Two Hundred Twenty Seven (Year Two)

So, the new Springsteen disc is amazing.  There's enough of a mixture of his upbeat rockers, his ballads, and his message songs to make this his best record since The Rising .  And speaking of that record... Buying The Boss the day it comes out always takes me back to a specific moment in life.  It was July 30th, 2002, the year after 9/11, the year after someone on the streets of New York told Springsteen "we need you now."  I had driven to Oshkosh, WI to visit some friends, when I remembered that Springsteen's disc was scheduled to come out that day.  I drove downtown to The Exclusive Company, but had to park a few blocks back.  At the time, there wasn't much going on downtown, but when I got out of the car, I could hear this music coming from up the block somewhere.  The closer I got to Exclusive, the more it began to dawn on me, they had set up a giant set of speakers in their upstairs windows, and were blasting the new album out into the streets....
Post a Comment
Read more

Day Two Hundred Twenty Six (Year Four)

So I dove back into 100 Riffs tonight, going into it with the hope that the hand written tabs I did last night would help me unlock the issue I was having transitioning from the first half of the riff to the second half.  It worked.  With both halves clearly written in front of me, I was able to work through the transition that had been tripping me up when the screen cut off was happening on SoundSlice.  That's going to be a nice thing to have in my bag of tricks for the times when I get stumped figuring these things out. I played a little bit of acoustic tonight as well, trying to be better about finding the balance between both instruments.  Late 90's-early 2000's rock has come up a lot in conversations at work of late, so in that spirit, I picked a song from that time period out of my set list notebook ("Your Winter" by Sister Hazel), and took a quick look at it.  Admittedly, it's a song I had mostly learned a long time ago, so the essential parts of it w...
Post a Comment
Read more

Day Two Hundred Thirteen (Year Five)

Finally!  A really good day.  And one that I really needed after the frustration with the rest of the weekend. I took a step back from a few things today, and got what I hope will be a bit of clarity in the process.  Instead of worrying about the progress I really haven't been making on the EP, I told myself that I needed to be happy with the few bits of lyric I stumbled across today, and that maybe I needed to focus my attention elsewhere, at least for today. I had picked up a really cool book on music theory as it applies to guitar last Tuesday when I was out and about, and having spent a little bit of time paging through it over the last few days, I focused in on it tonight and started reading, taking notes, and reinforcing some things.  It felt like progress.  It was great. When I had worked through some of that, I moved on to the whole "100 Riffs" thing, and got myself moving on that again.  It's astounding how much I can get inside my own head a...
Post a Comment
Read more