Skip to main content

Day Two Hundred Fifty One

Today was an interesting hodgepedge of musical goodness. Early Tom Waits, scales, a bit of the hard rock stuff, and my first exposure to Glee. There's some part of me that doesn't even know where to start in on that conglomeration of stuff, but I'll give it a shot anyway.

When I said that it was early Tom Waits, I meant it. Like, debut album early. Waits has long been one of those musicians that I needed to hear more of. My first exposure to his music was through an old college friend who was obsessed with Small Change. It was remembering his raving about Waits that got me, a few years later, to pick up that album. "Invitation To The Blues" was the song that had fired my friend's adoration of Tom Waits, and while that's one of the great songs on that record, I'm also partial to "Tom Traubert's Blues," and "The Piano Has Been Drinking (Not Me)." The whole record is great, mind you, but those were my starting points. I picked up Orphans a few years later, and while it was great, there was a lot to digest in that collection.

That said, it was interesting to go back to his first album. On listening to it today, I was reminded a bit of Springsteen's first record. As it happens, both Closing Time and Greetings From Asbury Park, N.J. were released in '73.

As for the scales and the hard rock stuff, that I picked away at while watching Glee. I'm still not sure what I think of that show. It's kind of fun, and the musical numbers are pretty spectacular, but I'm having trouble connecting to the High School aspect of it. Part of that, I'm sure, is that I've been out of high school for 12 years now. Oh, and Jane Lynch's character is amazing, she's cold and snarky and dynamic in a way that only House has been in the last ten years or so. It's easy to see why people love this show, and it's easy to see why everyone recommended it to me, but I don't know yet whether or not it's my cup of tea. Back to the electric and the notebook I go.

Comments

Popular posts from this blog

Day Two Hundred Twenty Seven (Year Two)

So, the new Springsteen disc is amazing.  There's enough of a mixture of his upbeat rockers, his ballads, and his message songs to make this his best record since The Rising .  And speaking of that record... Buying The Boss the day it comes out always takes me back to a specific moment in life.  It was July 30th, 2002, the year after 9/11, the year after someone on the streets of New York told Springsteen "we need you now."  I had driven to Oshkosh, WI to visit some friends, when I remembered that Springsteen's disc was scheduled to come out that day.  I drove downtown to The Exclusive Company, but had to park a few blocks back.  At the time, there wasn't much going on downtown, but when I got out of the car, I could hear this music coming from up the block somewhere.  The closer I got to Exclusive, the more it began to dawn on me, they had set up a giant set of speakers in their upstairs windows, and were blasting the new album out into the streets....

Day Two Hundred Twenty Six (Year Four)

So I dove back into 100 Riffs tonight, going into it with the hope that the hand written tabs I did last night would help me unlock the issue I was having transitioning from the first half of the riff to the second half.  It worked.  With both halves clearly written in front of me, I was able to work through the transition that had been tripping me up when the screen cut off was happening on SoundSlice.  That's going to be a nice thing to have in my bag of tricks for the times when I get stumped figuring these things out. I played a little bit of acoustic tonight as well, trying to be better about finding the balance between both instruments.  Late 90's-early 2000's rock has come up a lot in conversations at work of late, so in that spirit, I picked a song from that time period out of my set list notebook ("Your Winter" by Sister Hazel), and took a quick look at it.  Admittedly, it's a song I had mostly learned a long time ago, so the essential parts of it w...

Day Two Hundred Thirteen (Year Five)

Finally!  A really good day.  And one that I really needed after the frustration with the rest of the weekend. I took a step back from a few things today, and got what I hope will be a bit of clarity in the process.  Instead of worrying about the progress I really haven't been making on the EP, I told myself that I needed to be happy with the few bits of lyric I stumbled across today, and that maybe I needed to focus my attention elsewhere, at least for today. I had picked up a really cool book on music theory as it applies to guitar last Tuesday when I was out and about, and having spent a little bit of time paging through it over the last few days, I focused in on it tonight and started reading, taking notes, and reinforcing some things.  It felt like progress.  It was great. When I had worked through some of that, I moved on to the whole "100 Riffs" thing, and got myself moving on that again.  It's astounding how much I can get inside my own head a...