Skip to main content

Day Two Hundred Sixty Five (Year Two)

I remembered something as I was getting ready for work today.  Not only do I have a Guitar World transcription of "Red House," and the version of it from the Signature Licks book, I also have the Guitar Recorded Versions tab book for Are You Experienced? which has "Red House" in it.

And, as luck would have it, that version of the tab has fingerings and upstroke/downstroke marks written in from lessons I took with Chuck Worm in Kaukauana, Wisconsin almost (gasp!) ten years ago now.  The whole thing isn't laid out for me, mind you, but in glancing at it quickly before dashing off to work today, it seems that I've got everything up to the solo, so that's cool.  From there, I ought to be able to figure out the rest of it with a bit of study and debate. 

The way I see it, between the three transcriptions, I ought to be able to figure something out that works.

This whole thing feels like it's falling into place for me right now.  All of the resources are coming forward.  I know full well that I've wanted to learn that song for more years than I'd care to admit (at least 9), but now that things are getting better for me playing-wise, I finally feel like that can happen.

Also of note tonight, R. sent me an article saying that the people behind the closing ceremonies of the 2012 Olympics in London contacted the manager of The Who to see if Keith Moon would want to play at said ceremonies...  Yes, the same Keith Moon that's been dead for 34 years now.  Well played guys, well played.  Here's the link to the Yahoo! story, in case anyone was curious.

http://sports.yahoo.com/blogs/olympics-fourth-place-medal/keith-moon-drummer-died-1978-invited-play-olympics-173439598.html 

As the writer says in the piece, if you're going to do that sort of thing, why not bring back John & George, and just go for a Beatles reunion?

Comments

Post a Comment

Popular posts from this blog

Day Two Hundred Ninety Three (Year Four)

Big day today, for a few reasons... First off, it was a good night in the studio.  As opposed to the recent sessions that have had a singular focus (either theory-related, or acoustic/set list related), tonight had a little bit of both things in it.  When I hit the studio tonight, I fully expected to pick up the electric and work out a bit more theory studying, much like things have gone for the last week or so.  Knowing that, I somehow ended up with the acoustic in my hands, working through a little bit of Brandi Carlile.  More specifically, two songs of hers that I have always loved, "Wasted," and "Fall Apart Again," but until tonight, never taken the time to sit down and learn.  I have a songbook with everything from the first three records, and it took me until tonight to sit down and take a look at working through some of these things. In a related note, I really feel like the last year has been so very good for my confidence, musically.  There are some p
Post a Comment
Read more

Day One Hundred Eleven (Year Eight)

Okay, so Dave's voice was kinda shot last night and the show was still epic.  Here's what they played: Run All My Life Learn to Fly The Pretender The Sky Is a Neighborhood Rope ( with solo's ) Sunday Rain My Hero These Days Walk Under My Wheels / Jump / Another One Bites the Dust / Blitzkrieg Bop ( w/ band introductions ) Big Me Congregation Breakout Times Like These This Is a Call Under Pressure ( Queen  cover) Monkey Wrench Breakdown ( Tom Petty  cover) Best of You Dirty Water Let There Be Rock ( AC/DC  cover) Everlong   And here is a little bit of "Big Me," just for fun:    
Post a Comment
Read more

Day Three Hundred Forty (Year Six)

It's done.  Well, okay, so it's 99.5% done, but that's close enough for me. The stereo and the turntable got set up this morning, as I figured they would, and the two bags of randomness (picks, my slide, tuners, etc) and the few small piles of notebooks got dealt with tonight.  I even managed to get the iMac set up, if not fired up. And yet, the studio remains only slightly unfinished.  Somewhere in either the house or the garage, there must be a box or a bag that has a couple of studio-related items tucked into it, because there are at least two things I can't find.  As fate would have it, they're important things, too.  And something tells me that they're all in one place.  I'm missing: 1.  My looping pedal 2.  The power cable for my Marshall 3.  The foot switch for the Marshall They're all things that would have been in the same general area in the old studio, but given how much of the house we've gotten set up already, it really surpris
Post a Comment
Read more